So we often talk about comparisons of brands of headsets or specific units, but lets talk about the actual engineering and construction of headphones and how they work and what works for you and why?

Currently in the market we have 3 standards:

1. Dynamic
2. Orthodynamic
3. Stax or electrostatic

These categories base the headphones on the type of technology used to create their sound. The difference between the two types is in the transducer principle used; that is, how the headphones convert the electrical signal from a media player into sound waves that can be heard.

1. Dynamic

Dynamic Headphones

Dynamic Headphones

Dynamic headphones work just like two miniature speakers. The signal is transmitted through a connection to a standard jack. Once the electrical signal reaches the earphones, a magnet forces a voice coil to vibrate rapidly inside a diaphragm — a paper, fibrous or plastic cone-shaped object. The inner works are then lifted up and down much like a piston, often faster than the eye can see. This rapid vibration is what stirs the air and creates vibrations called sound waves which are then picked up by our eardrums.

Headphone Transducer

Headphone Transducer

Dynamic headphones are by far the most common type used by the average music listener, musicians and professional studio mixers alike. The most popular manufacturers in the music industry all make dynamic headphones, including Sony, Beyer, Sennheiser, Grado and Audio-Technica. They can cost $8 or $800 US Dollars (USD) upwards and can be wired or wireless, open-air or closed-back, ear buds or studio-quality.

2. Isodynamic (aka orthodynamic)

The KH-85B

The KH-85B

Orthodynamic headphones were very popular worldwide (if not so much in the US) in the 1970s. Several companies manufactured such headphones or the parts for them, and numerous others contracted with those Original Equipment Manufacturers (OEMs) to make parts or complete headphones for them to sell under their band names. Fostex and PMB OEM heaphones are by far the most common.

Manufacturers include Audeze, Fostex, Hifiman, Kenwood and Dual.

Isodynamic drive headphones have drivers with flexible plastic film diaphragms into which a flat voice coil (spiral or serpentine in shape– see photos below) is embedded or glued on for even distribution of the drive force. That is, the diaphragm is driven more or less equally over its entire surface at once, obviating the need to make the diaphragm rigid so that it can therefore be as lightweight and agile and nonresonant as possible. Isodynamic diaphragms are either lightly tensioned or corrugated to supply restoring force.



Magnetic assemblies (bar magnets or perforated disc magnets) on both sides of the diaphragm supply the magnetic field against which the voice coil’s varying magnetic field reacts, which makes the diaphragm vibrate.

Isodynamic diaphragms are more massive than electrostatic diaphragms, but the equal-force drive principle allows them to move very quickly and in a coherent, uniform way, so provided there is sufficient mechanical damping, an isodynamic headphone gives excellent transient response and a sound quality not unlike that of an electrostatic

3. Electrostatic

Electrostatic drivers consist of a thin, electrically charged diaphragm, typically a coated PET film membrane, suspended between two perforated metal plates (electrodes). The electrical sound signal is applied to the electrodes creating an electrical field; depending on the polarity of this field, the diaphragm is drawn towards one of the plates. Air is forced through the perforations; combined with a continuously changing electrical signal driving the membrane, a sound wave is generated. Electrostatic headphones are usually more expensive than moving-coil ones, and are comparatively uncommon. In addition, a special amplifier is required to amplify the signal to deflect the membrane, which often requires electrical potentials in the range of 100 to 1000 volts.

Due to the extremely thin and light diaphragm membrane, often only a few micrometers thick, and the complete absence of moving metalwork, the frequency response of electrostatic headphones usually extends well above the audible limit of approximately 20 kHz. The high frequency response means that the low midband distortion level is maintained to the top of the audible frequency band, which is generally not the case with moving coil drivers. Also, the frequency response peakiness regularly seen in the high frequency region with moving coil drivers is absent. The result is significantly better sound quality, if designed properly.

Electrostatic headphones are powered by anything from 100v to over 1kV, and are in proximity to a user’s head. The usual method of making this safe is to limit the possible fault current to a low and safe value with resistors.


So with this short introduction out of the way I have to say owning various of each there is no definitive camp to sit in and this a good thing in my mind. The old adage ‘horses for courses’ come to mind and whilst dynamic has the lion share of the market it really does not have the lion share of sq. For that stats and orthos can punch way above their market share weight. You just have to spend a bit more and this is where dynamics win with their lower cost to performance ratio.

Of course the choice is yours and there is a platform for whatever budget you have. The Fostex range can go as low as $100 or less for an ortho and the Baby Stax SR001 mk2 (now discontinued) could be had for around $350 but at the end of the market things get very competitive between the 3 standards. Its only when you decide to go north of $500 do you get real separation in terms of distinct platform qualities.

Note: Thanks to Wikipedia/media and Audio Junkies for some of the supplied technical data.

About The Author


Founder & Owner of I first started reviewing in the late 80s (ouch!). Back then it was albums, rock concerts and interviews with a typewriter for the local rag. Now its desktop/portable and digital 2.1 audio on a rather nice laptop. How time flies.

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  • Azor Ruiz

    finally a better way to understand orthodynamics. i was asking dyaems on what’s the difference between the two and all he just said is that it’s like a hybrid electrostat and dynamic. i haven’t listened to electrostatic headphones but i’m sure they offer one of the best sqs. i got to listen to an orthodynamic and i was completely blown away by the sq. i heard a lot of details from my music that i haven’t heard from my dynamic headphones. listening to orthodynamic can really put you on captive with your music. i’m looking forward to auditioning an electrostatic headphone.

    also, i’m planning to buy an orthodynamic headphone after i’m done with my grados. can you recommend a good ortho for newbies? and is easy to source?

    • Anonymous

      Hey thanks Azor, what i can suggest for a low risk introduction to the world of ortho is the Fostex T50RP at around $100 or less via Amazon. Its the base model used by Smeggy of Headfi to create the Thunderpants and very versatile.

      I have often been tempted with that model myself until I got the HE6 🙂

  • D_t_h_o_r_n

    I had only one ortho ‘phone, a Yamaha in the 1970’s. Not sure what model, it probably cost about 200 to 300 USD in today’s money. I did not like the sound, which I think was smooth enough, but just didn’t have clarity – very dark or muddy (not sure which).

    I got the Koss ESP9 electrostaic in the early 1970’s and I could tell right away that the response and detail were excellent. The sound was nothing to complain about, probably about like most of the Beyer ‘phones today. Then I got a Stax SRX MK3 with SRD7 box in the late 1970’s, for about 1500 USD in today’s money. The sound was very crisp, brighter than the Koss but pretty clean.

    Those electrostats in the 1970’s had very clean sound and fast response, but the bass was not particularly strong. You could hear it and feel it slightly, but compared to today’s Beyer 1350 for example, very lightweight. I would be curious to see if that changed by today – if the electrostatics today have a more impactful bass when the bass is present in the recording.

    In the 1970’s we had to drive the electrostatic headphones from the speaker terminals of power amps or integrated amps. I would guess today they have better methods that can take a preamp out (line out) and amplify directly to the headphone.

    • Anonymous

      I think the Koss system is still being sold in Amazon for less than $700 and by all accounts when I demoed it last year, it still remains a great stat system though a much cheaper build than the Stax systems. The orthos of today excel in clarity such as the HE6, though not quick as strong as Electrostatics, they do have the distinct advantage of offering fast better bass slam and reach. Dynamics though by pure market share and cost rule the roost which is both good and bad in my opinion.

  • A very nice piece of information. Thanks.

    • Anonymous

      Your welcome!

  • I’ve got a USSR-made Isodynamic headphones with the driver looking exactly like the one on your picture (cross-section and the universal pivot point as well). They are ТДС-5 and cost me 3rd of my monthly salary at the beginning of the 80’s. They sounded noticeably better than any dynamic ones I compared them with: the sound stage, the naturalness of orchestral instruments sound reproduction (I mostly listened to classical music). I still have them and had a chance to compare them to Sennheiser HD-550. Apart from relatively subdued low and mid bass response, they sounded quite equal in the rest of the frequency spectrum.

    • headfonics

      Some of those old cans compete remarkably well with modern headphones. I had an old Stax unit from the 70’s and sounded remarkable.

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