Stax 3030 Classic System

Stax 3030 Classic System Review

In this short review, we listen to the Stax 3030 Classic System which is a combination of a solid-state energizer and electrostatic open-back headphones. It is now discontinued.

Disclaimer: This is an owner model and was purchased privately. Headfonics is an independent website that does not have any affiliate links. If you wish to read up on Stax you can visit their website here.

To learn more about Stax gear we have previously covered on Headfonics you can click here.

Note, that this article follows our latest scoring guidance which you can read up on here.

Stax 3030 Classic System
Stax 3030 Classic System Review
The Stax 3030 Classic System is a tight, detailed-orientated system with a massive sound stage, totally transparent presentation, and with zero isolation. You will be sucked into the presentation and you will journey with the music.
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Reader's Score

Beautiful retro design and built for home use only, the Stax 3030 Classic System towers above my Maverick and Little Dot in terms of construction quality and finish. Whilst by no means a slouch, the Mav and Dot MK2 seem just lightweight mid-fi amps (hurrah for that I say!).



The 3030 SRM-313 for me is just pure quality fit and finish. Low profile screws, flush metal gold front with the back cover, smoothed off sound knob that just oozes quality from the turn to the feel.

What is interesting here is that everything could have, and probably was, conceived in the 1970s. I guess if it isn’t broken then don’t fix it eh? The front is completed by that ’70s power button and two interesting plugs to the bottom.

Unlike dynamic or orthodynamic headphones, electrostatic is powered in a different manner (see my thread comparing all 3 for more info) and therefore Stax headphones can only be powered by electrostatic amps. The connectors are not 3.5 or 1/4 but pinned plugs as you would see on xlr or balanced systems.

These two plugs are important as, quite apart from being where you connect your Stax headphones, they have an allowance for old 6-pin headphones (normal) and the newer 5-pin headphones currently on the market (pro).

Checking mine I have 5 pins, nice! I like the sound of pro over normal haha. I guess you could squeeze a 5-pin into a 6-pin but then if you want a 6lb paperweight on your desk, go ahead and be my guest.

One thing to note is the amp’s weight is pretty hefty and the amp itself is pretty long. Mobile this is not, serious home use it is. Just make sure you have a depth of about 13 inches to accommodate the amp and leave a small amount of room to spare for it to dispense the heat in the normal manner.


Now, these are just plain whacky looking, like a museum piece almost. They initially look too big, too brittle, and maybe even too heavy.

Then you put them on and all those fears go away. The plether pads are comfy, go over the entire ear (circumaural in a squarish way lol), the headband does not irritate the head in any way and boy do they feel light, very light indeed for a headphone of this size.

One thing I noticed was the cup hinge is made of plastic and with deliberate handling, it could snap or break if not handled with care. Ken and I are in agreement that aluminum handles will be better (can’t wait for those!) in the long run. You can see the hinges as the black rims around the cups in the picture below.

On the top, the headband utilizes the same theory as AKG and a few other top manufacturers with the loose comfy leather band and plastic semi-circular holding beam above. I could see a moment when they could crack, and indeed some have, but the newer ones I am told by Ken do not. Still a possible case for a nice leather wrap I think in a matching color for holding purposes.

Inputs & Outputs

One thing can be said about the back – dead simple and very obvious. You have inputs (RCA) and a power socket. That is it, nothing like a spdif or DAC nonsense – this is designed to do one thing, take signal and output to the cans

Sound Impressions

ok so now down to the sq. Low End? Yes, but not in the way you think (this is where everyone really wants to start!)

First thing I have to tell you. If you are, like me, coming from a dynamic background you have to leave your preconceived notion of the presentation of bass behind. The Stax system does not push air into your ear canal, in fact, it presents it just outside your ear giving a slightly brighter presentation, fantastic detail, and attack but perhaps not any bass slam.

Now when I say bass slam I mean oomph, not bass itself. This is what I mean – you have to re-educate yourself on how the bass is really presented to the listener as more of an extension into the mix to give depth where needed or to emphasize a moment.

This means you understand bass is there – in shed loads if I may say so, but not in a slam manner, but more in a deep cavernous manner designed to broaden what already is a massive sound stage.


Just about the most amazing sound stage outside of the lcd2. This is huge and majestic and all-conquering. It leaves my K702 in the dust -period!

I always thought of myself as a bass head when I first got into headphones. But now judging by the emotive responses I have to say I would be a sound stage kind of guy after the detail and the imaging. And this is where the Stax really really shines.

The beauty of Stax is not just giving a sound stage the size of a football field but in the manner that even though you feel you are in this huge arena you can still hear the drop of every bead of sweat from the performer and the plink of every delicate piano sound.

I have mentioned presentation a few times and the reason for this is simply because of the laser-like imaging of vocals. No matter how big the sound stage is, the vocals are just pure and dead center.

No better demonstration of this than the track Intro from Within Temptations The Silent Force. The beginning presents this massive bombastic choir and guitar-based operatic opening only for the smoke to clear like the eye of a storm and these soaring beautiful female vocals, delicate yet strong, take center stage – and I mean dead center stage.

It is like the Stax knows what is happening and presents it exactly as I would have wanted it. An emotional moment of understanding between me and my headphones


For detail the Stax 3030 cannot be beaten, Honestly, every note, every effect, and every layer is coming through in such a way that only be described as having heard everything for the first time again.

Only this time nothing is lost in delivery, every is conveyed from the cymbals to the violin plucks to the sax solos. I have heard that piano can sound artificial (acoustic piano) on this system. I disagree, to be honest, it seems more real to me than anything I have heard before.

The bias to being bright means that detail will always shine, but there is no distortion or sibilance in the manner in which it can cope even at louder volumes. Maurzen is right, there is no distortion at any level, no muddiness or clumsy handling of tracks with fast passages. If it is fast it will give it to you fast without any grumbles or complaining.


Now, this is obvious I guess but I will state it for the record. Garbage in gets garbage out. It really does not like bad recordings or low bit rates. My system for much of this testing has been the Vaio out to a uDAC via gold-plated USB monster cable, coaxial to The D1, and an RCA Cambridge audio to the SRM-313 amp.

I have used primarily FLAC at about 850k to 11xxk and it really sings when playing quality. But give it a steady diet of 192k or lower and the strengths turn into weaknesses.

If it is badly recorded then it will come across as less than satisfying. These are very revealing cans that can sing at most ends of the spectrum given a chance. If the detail is there it will find it, if not well, you have been warned.

Our Verdict

This is a tight, detailed-orientated system with a massive sound stage, totally transparent presentation, and with zero isolation. You will be sucked into the presentation and you will journey with the music.

You may not have slam, but this is no tinny setup, simply very engrossing. Play this in a quiet place, turn off the tv, maybe even the lights, and close your eyes – you can almost touch it and taste it, never mind hear it.

Stax 3030 Technical Specifications

Headphones: Stax SR-303

  • Type Push-Pull Electrostatic Earspeaker / Open Back
  • Impedance 144k Ohms
  • Frequency Response 7 – 41,000 Hz
  • Sensitivity 100dB / 100V r.m.s. 1 kHz
  • Capacitance, including cable 120pF
  • Ear Pads High-quality Artificial Leather
  • Cable Wide format Low Capacitance PC-OCC Conductor
  • Ambient Temperature & Humidity 0 to 35ºC / 90% max. without condensation
  • Cord Length 2.5 meters
  • Weight 300g without cable / 450g with cables

Electrostatic amp: Stax SRM – 313

  • Type: All-stage semiconductors, Low-noise dual FET input Class A operation, Pure balance DC amplifier
  • Frequency characteristics: DC to 48,000 Hz with SR-303 only
  • Input impedance: 50KΩ
  • Amplification factor: 60dB
  • Maximum Output Voltage: 350V R.M.S. (1kHz)
  • Distortion factor: Max. 0.01% (with 1kHz, 100V r.m.s. output)
  • Input Terminals: 1 RCA
  • Input level: 100mV (with 100V output)
  • Bias voltage PRO 580V x 1, Normal 230V x 1
  • Electric power consumption: 29W
  • Ambient Temperature & Humidity: 0 to 35ºC / 90% max. without condensation
  • External Dimensions: 5.9 (W) x 4 (H) x 14.6 (D) in
  • Weight: 6.4lbs

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