Synergy

As mentioned above, the TT11 paired easily through BT in two different options, while functioning quite well. Even though the Dynaco was run mostly BT via the xDuoo TA-32, the added level of the gear helped to convey excellent detail to the music played.

Pairings

I cannot really say I had a preferred setup, since the ease with which the TT11 can be switched makes the point essentially moot.

I do have the benefit of using the TT11 in not only my office but also the listening room, whereas when I reviewed the TT13, I was limited to a single-room situation, with less-than-ideal sound characteristics.

I did spend more time tethered to the Dynaco/XDuoo via BT and came away impressed. The higher the quality of the vinyl, the better the sound, and my enjoyment went up as well.

If the source conveyed more bass, the A25s pushed through to present that low-end grunt without losing detail in the upper end. As an alternative to my dedicated turntables, the TT11 presented an easy-to-use, quick option.

When paired with the FiiO SP5s, a natural synergy was of course had. The sound quality of the SP5 speakers is something that fits my flavor, and they see regular use when not in review mode. Or, in this case, incorporated into review mode.

Using the TT11 in RCA mode presented a more typical vinyl sound signature, with excellent note weight and good 3D qualities, but you can easily see how close the gap has become between wired and BT.

FiiO SP5 on desktop with TT13 turntable

Select Comparisons

FiiO TT13

Features

The FiiO TT13 features two JRC5532 op-amp chips, each powered by independent LDO power supplies to reduce potential EF interference.

This design ensures cleaner signal processing by isolating the power sources for better performance. The TT11 uses two NE5532 op-amps and an AC6951C Bluetooth chip, running with similar LDO power supplies. To me, the TT11 presents a slightly warmer signature with the chosen chips.

The stock AT3600LA cartridge, a budget MM cartridge with a devoted following, feeds directly into one opamp chip (powered by one LDO) and then into a second opamp (powered by another LDO). The TT11 uses the AT360L and functions well.

The balanced potentiometer then routes the signal to either the 5.0 Qualcomm Bluetooth module or the Line Out (RCA) automatically.

Additionally, the first chip provides input to the MCU, which manages playback motion, button functionality, and adjustable RGB mood lighting. With the TT11, why change what is successful?

For even greater EF isolation, the TT13 supports an external DC power source. When both AC and DC power sources are connected, AC takes priority, maintaining seamless operation. The TT11 does not come with an external power source option.

FiiO’s choice of plinth material for both is equally good, and both are aluminum. Where the TT13 presents a single unit, the TT11 is inserted into a wood frame.

Additionally, the included RCA connections and ground wire allow seamless integration into two-channel systems, making both versatile options for audiophiles and casual listeners.

FiiO TT13 outside between speakers

Design

The TT13 comes across as svelte in shape and modern. The thin all-aluminum plinth and combined base (4kg) give it a functionally luxurious look, which fits well with its potential audience.

A showpiece if you prefer. The looks between the two could not be more different. Modern and chic versus retro and vintage of the TT11.

The aluminum plinth of the TT13 is quite durable, too. The platter is also cast aluminum, reducing weight while increasing isolation from potential interference.

The aluminum frame of the TT11 functions similarly, but I do note more noise when tapping the unit. Vibration from outside sources, such as walking on wood floors, was not heard through the speakers, though.

The tone arm is fully automatic with the press of a button, and matches the color of the plinth, giving it a subdued silver look. The TT11’s all-black tonearm looks subdued and classy, mirroring the vintage look of the unit.

The straight-tone arm is not adjustable, coming from the factory set for tracking force. Since the AT3600LA is a fairly heavy unit (recommended 3.5g +/-0.5g tracking force), the thin look counters the cartridge look nicely.

The TT11 is not only adjustable, but the user can change cartridges, making it more versatile in my mind.

With the dust cover on, I am hard-pressed to tell much of a difference from my Pro-Ject Debut Carbon in looks, except for color, which is a good thing in my book. The TT11, on the other hand, mimics the looks (except for sheer size) of my Denon DP-1200

All functional switches are either on the plinth (surface-mounted) or on the back, giving that streamlined look that has a modern touch. The TT11 has the same setup.

FiiO TT13 right side controls

Performance

The cartridge has more to say about the sound signature than pretty much anything else when it comes to turntables.

The plinth can change sound somewhat according to the material lying underneath, and the electronics certainly play a part, but the cartridge is the first line and sets the tone.

Known as a budget cartridge coming on turntables in this class as well as slightly higher, the AT3600LA comes across as somewhat energetic, but without a lot of detail retrieval or character.

This can be construed as smooth, with a tilt towards warmth, too. It does set the tone quite well, knowing where it sits in the AT line, and this carries over nicely into translating the sound of the TT13.

While pure clarity is lacking, there is enough energy and detail from the mids to cover the rolled-off top end (conical stylus in play here) and “almost there” bass line.

Audio-Technica AT-LP60XBT