Meet the Elysium


This design is beautiful. At first, I came at Amin & Marcel with my own design thoughts (moribund such as they are), but in the end, they convinced me to try the house design or the one they use for all the ad work. Since I had it in my hand in Singapore I thought well yup this might be ok.

However, when I received a few weeks back and did the shots it just looks so damned interesting than what I had originally in mind for a design. You have color on the outside, color on the inside (HALC green) and a transparent shell to show off a collage of wiring colors on top of it.

The guys simply call it the Elysium design so there is no alternative coding on the customizer online tool. It will cost you 130 EUR though as a premium design. The top blue tiger-like stripes really do a top job of offsetting an otherwise monotone transparent shell and compliment the lime green effect of the HALC chamber behind it nicely.

Vision Ears Elysium


On top of that, as always with Vision Ears, the finishing on the acrylic body is flawless. You will not find a bubble, scratch or big seam anywhere on the Elysium shell.

Both the shell and the plate are coated with a thick but clean acrylic finish and given a high-quality UV lacquer coating that makes everything feel pleasantly smooth feel particularly around the nozzle which is normally where the first contact with your ear canal is made.

Vision Ears Elysium

Horn Principle

They have also continued with the horn design principle for their nozzles with a triple bore variable-length tubing system a few mm back from the exit point of the main acrylic bore opening. Vision Ears has been using horn designs now for quite some time, going back to the VE6 we reviewed many years ago.

The large open bore allows Vision Ears to fine-tune and develop the readily mixed multi-bore sound before it leaves the chamber and into the ear canal. In doing so, they are able to tweak the Elysium’s high-frequency extension a little further than what is possible with a traditional individual tubed bore design using the same drivers.

Vision Ears Elysium

Cables & Connectors

The Elysium, as with all VE custom monitors, uses a standard 0.78mm 2-pin connection flush with the body rather than a recessed socket. Note, there is no L or R on the 0.78mm 2-pin connectors but rather a single groove on the left connector to ensure you can channel match properly.

These have been rock solid for me down through the years and not one of them has sunk, even the VE6 which is over 4 years old now. I am not a huge fan of recessed sockets because it increases the risk of poor cable fits if the pin sockets are at a slight angle or the recessed bay is too tight. I have had that before on the AAW W900 which limited the cables I could use with ease.

Vision Ears Elysium

Stock Cable

The cable is an in-house design but it looks pretty good to me and at a much higher level than the older stock Plastics One type OFC 4-wire variants from a few years ago. This is a 28AWG 8-wire silver-plated SPC wire insulated in 200d Kevlar for each wire and wrapped in a very pliant translucent PVC jacket.

It is thicker than your normal 4-wire but the 28AWG rating keeps it nice and light. The braiding is super tight and very flexible and so far, it has remained entirely memory free so zero kinks and tangles. This cable is also impressively microphonic free both below and above the splitter, as in zero noise.

The cable is finished with some complimentary chrome-accented barrels for the jack and connectors. I particularly like the little flat round pill aluminum chrome finished splitter. It is pretty light, separates the wiring very well and looks fairly robust in the process.

Vision Ears Elysium

Comfort & Fitting

Of course, the final fit may vary depending on how good your ear impressions are from your local audiologist. I tend to use digital STL files and VE does have a good set from me they did at CanJam on the day so I was confident they would nail it and nail it they did.

The seal on these is a perfect balance between comfort and isolation with not too much pressure and a nice length to the nozzle so it stays deep and secure in the ear canal.

Vision ears have not used a vented dynamic driver design either so the level of passive isolation is bloody brilliant and perhaps the best I have had yet outside of the Phantom or Westone’s ES80. These seem to be particularly good at isolating against low-frequency noise such as air com hum.


Wow! What a transformation in packaging from Vision Ears. I guess this is entirely consistent with the positioning of the Elysium as a Premium Line product but even so, the articulating display mechanics of the box opening is just super fun and very cool to play with. Sadly, I would likely need a video to really give you a full demo of how this works but let’s start with the obvious.

The box is huge, almost headphone class in terms of sizing with a bi-fold split lid. The pic above with the Lotoo PAW Gold Touch DAP beside it is for scale just so you get a proper idea of how big the box is.

Now here comes the fun part. When undoing the latch and opening it up, the way the innards are folded means an inner tray also gently raises to reveal a carefully arranged set of accessories, case and of course the earphones.

Vision Ears Elysium

It is almost regal-like and something you would expect to find in a jewelry shop. I think I played with that for about 5 minutes trying to figure out how it all worked on a physical level. Unboxing nerds will have fun with this box.

The inside display is a felt type foam contoured display tray and whilst the core accessory list is not hugely different from what Vision Ears have offered before it does look far more refined than what I am used to seeing. Back in the day, those metal carry cases from VE just came like that and nothing else so we have come a long way since 2014.

Vision Ears Elysium


Whilst on paper the list of accessories is the same as something the VE8, the finishing, and looks are quite different. There are no more hard metal large cases of the previous aluminum threaded hard case though you can buy them still from VE when checking out online.

The carry case is now a stiffened leather two-tone round top with a lid that simply pulls off rather than screws off. The lid has a ripple-like pattern in blue at the top with the Vision Ears moniker to the center. The rest of the outer finishing is in grippy black finish with the internal finishing a class tan leather.

Vision Ears Elysium

The word Elysium is also beautifully branded into the ceiling of the lid. Inside you also get a nice little foam layer to separate the cable from the driver shells which helps prevent any accidental knocks between the metal barrels and jacks of the cable and the acrylic shells of the Elysium.

Aside from that, you get a 6.35mm gold-plated convert jack, cleaning brush and Vision Ears branded In-Ear cleaning fluid, which I might add, is for cleaning your monitors and not your ears so do not spray it in your ears trying to clean them. This fluid is for keeping your CIEM drivers nice and shiny. The 6.35mm converter might not get much use however with a 2.5mm terminated stock cable. I would love to see a 4.4mm converter in there instead.

Sound Impressions


Vision Ears have never built purely reference monitors. Instead, they have always been tuned with a certain emotive character, be it vocals, bass or imaging panache.

The Elysium continues that “house sound” via Oliver Marino’s brilliant engineering but brings it up to an entirely different level. This could well be their best custom monitor to date by far. Now I won’t tell you it has the best bass, the VE8 does it better. Nor are the vocals as to the fore as something like the VE5. That tuning was niche, unique and appeals to those who like it front and center.

What the Elysium does have and possibly the best “have” I have heard to date is how it delivers on timbral richness and texture, especially in the vocals. The use of a dynamic driver for the mids is a complete masterstroke for me. It sounds pure, a shade to the euphonic side even but oh so incredibly refined and an absolute joy to listen to.

The Genius of the Dynamic Driver

And yet, the selling point of the Elysium for many is the use of dual electrostatic drivers. I get that, but in all of the stats models to date outside of the Pola and Pola39, you have a balanced armature to electrostatic driver mids to treble transition. This creates a certain type of sound for me, a particular timbre if you will that is clean, fast and detailed with more of an emphasis on odd harmonic upper treble overtones.

The Elysium mids to treble transition is different. It is smoother, richer and more distinctly full-bodied in its delivery. It is resolutely sibilant-free. You could argue the pace is somewhat slower but the dual-electrostatic tuning prevents the dynamic driver from taking over and delivering an overly languid sound. As a result, the complexity and texture in the mids are intoxicating, especially with vocals.

I have heard vivid vocals before, many times in actual fact. The Wavaya Octa is a good example of an electrostatic hybrid with vocals that have ‘pop’. However, they do not have the type of detail in the vocal note sustain that the Elysium has.

A closer example is the JH Audio Layla in the tone and detail you can get but with the electrostatic top-end the Layla comes up a bit short for me how effortlessly the treble detail is presented. Definitely a darker top-end.


If there is one area that will be a continual topic of conversation it will be the low-end of the Elysium. Not that it lacks depth, but rather sub-bass quantity and rumble you typically associate with hybrids that place the dynamic driver much lower in the configuration.

Vision Ears wanted to convey a more solid and natural-sounding midrange and instrumental timbre as well as buck the trend of current electrostatic competitors from throwing in a dynamic driver low-end. You do lose the potential for a visceral deep sounding stage but the vented woofer BA still sounds plenty solid and punchy to me. Vocals are to the fore but not to the point where staging feels closed in.

Importantly, it sounds less of a hybrid with the BA down below. It doesn’t seem to pull the hybrid configuration into “3 distinct parts” so there is less of a disconnect in the lower-mids and instruments. As a result, they do not sound that far back, thin or lacking in power. The mids dynamic driver is able to pull up the instruments to an authoritative level by itself and they do have excellent presence and cohesion as a consequence.

The staging height is very good but it doesn’t sound “pushed” in delivering that good headroom at the expense of sounding overly forward and bright. In some ways, the Elysium is more relaxed at the very top-end and certainly not as aggressive in its upper treble forwardness as the Nobel Audio Khan. However, the solidity and body are just brilliant so imaging cues are spot on without becoming distracting.


This is a BA low-end but a good one. It has a slight mid-bass hump but nothing overly emphasized and whilst the extension is very good there is not the same type of quantity and natural levels of decay that you will find on other dynamic driver hybrids that place the DD on the low-end.

I was initially worried about that when I read the spec sheet but after spending months with the Elysium I actually think it works very nicely. Because it is a vented large woofer BA it is not thin or anemic with above-average texture but still a BA texture all the same.

What it does allow VE to do is tune it without a huge mid-bass to lower-mids dip to prevent excessive bass bleed from a low-end slow dynamic driver. Instead, the mids DD placement picks up the pace in the lower-mids and that is where the instruments draw a lot of their solidity and naturally textured sound from.

You still get a good bass fundamental in the Elysium low-end tuning so it is ‘plenty punchy’ and full-bodied sounding, at least for me, perhaps not for our resident basshead readers. A good example is Orax’s Black Death from their synth classic album “Deeper”. The synth low-end should sound rich, fat and slightly slow with plenty of driving power and on the Elysium is sounds exactly as it should.


Just superb mids, the best I have heard on a custom hybrid electrostatic monitor to date. Hats off to Vision Ears for the HALC dynamic driver mids configuration. Instruments sound so natural, rich in texture and detail and incredibly solid in timbre and tone.

There is nothing lean about the Elysium mids delivery from the lower-mids instrumental note to the vivid yet smooth sounding vocal delivery. And it is the vocal delivery that will leap out from you from the minute you try them.

That was my one abiding memory from CanJam when comparing it to another competing e-stat hybrid that used BAs for the mids. They sounded a little on the lean side with not a huge amount of personality in the vocal delivery. With the Elysium dynamic driver tuning, there is so much depth and texture in the vocals, especially female vocals.

The driver seems impervious to sibilance seeping down into the timbre from the electrostatic highs. Not that the sound is rounded or smoothed over rather the harmonic balance and separation is just spot on. Odd harmonic treble overtones add just enough crispness to full-bodied percussion notes to make them sound very real.


Coming from the likes of the Noble Audio Khan you will find the Elysium treble less strident, more relaxed and a shade wetter in its timbre. However, it is just as articulate and detailed and for my money. The slightly more pleasing or euphonic overtone if you will.

The Elysium e-stats have less influence on the HALC DD timbre than the piezoelectric timbre of the Khan driver has on its mids BA sound. What I mean by that is the upper order harmonic coloration is not as dominant so it is not quite as edgy sounding and much more flexible for sources and a wider range of genres.

The Khan top-end is very solid and caters to those who like more of a traditional treble dominant ‘electrostatic sound’ whereas the Elysium treble tuning is smoother with more body. Percussion and higher-pitched vocal timbre will thus sound a little warmer and smoother.

If you are thinking Jomo Trinity then not quite because it still pushes down into a mids BA configuration so whilst relaxed it doesn’t have the same solidity the Elysium HALC mids have. Overall, I find the Elysium electrostatic highs to be very articulate and effortless but possessing that all-important body and a million miles away from a BA treble tuning.

Click on Page 3 below: Matchability & Comparisons

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23 Responses

  1. Chris


    I loved the VE5 because of its clarity / airiness (I don’t know how to put it into words). They were the clearest sounding earphones I have ever heard (clearer than the VE6 or even VE8 for example). Do you know what exactly I mean? Unfortunately the vocals very put too much to the front. You have heard both of them. Are the Elysium the route to go? Are they as clear and airy as the VE5? Thank you very much in advance. By the way: I’m stuck between FIBAE 7, VE8 and Elysium.

    • Marcus

      We have a full review of the VE5 from way back and we said at the time it’s purely for vocals. The Elysium vocals are special because of the dynamic driver texture performance not because they are really far forward. I find them more solid, better detail, and natural in tone.

      • Chris

        Thank you, Marcus. Do you have a recommendation for a CIEM that is as clear as the VE5 but that dies Not push the vocals that much forward? Forward is ok, but not that much. Thank you very much in advance!

      • Marcus

        I quite like the qdc Dmagic 3D which we will have a full review out shortly. Our initial impressions are published a few weeks ago and still seem accurate.

  2. Jonathan Klein

    Have you had a chance to compare the Elysium to the newer a18s from 64 Audio? From comparisons between the a18s and the a18t, there seems to be noticeable sonic improvement with the a18s.

    • Marcus

      Hi Jonathan, sadly no, I don’t have either the a18s or the a18t. I have the original A18 and its thinner in the mids which is the exact opposite of the richer mids of the Elysium.

    • Chris

      Thank you. As the VE5 is purely for vocals, it is no option for me. But I fell in love with their clarity. I have never heard something that clean, although I have heard VE6 and VE8. Is the Elysium as clear as the VE5? Thank you very much in advance!

      • Marcus

        What you are hearing with the VE5 are the precision and lighter timbre of BA drivers. The Elysium dynamic driver timbre is quite different, it’s much more life-like with a lot more body and detail in the body so more resolving for me.

  3. Winchester Hammer

    I’ve been “lucky” enough to order and receive number 019 of the universal version of the Elysium. After two days and some 15 hours use, I can report that there seems to be some emperor’s new clothes thing going on here with Vision Ears.

    I have the Shozy/AAW Pola39 as well and it’s absolutely clear to me that the Pola39 is the far superior iem at far less than half the price.

    Where the Pola39 is extremely articulate and detailed, but with a solidity and musicality, the Elysium is relatively flat and lacking in dynamics. It also has an extremely unpleasant and pronounced graininess in the upper mids and lower treble. I wondered if there is something wrong with it, or whether the mesh over the bores is somehow detracting from the performance. I can’t imagine it is. But there is something seriously wrong with this iem and I would caution very much against just going blindly into buying it, like I stupidly did.

    I guess I’ll sell these on to someone who is seduced by the ridiculously lavish unboxing experience and the kudos of owning a Vision Ears iem. I think Headfonics has been taken in here.

    • asrael erlkonig

      Funny how my experience is completely opposite to that of yours, extremely detailed and articulate in the Elysium universal but relatively meh on the Pola39, with an overly warm lower-mid range (way less boomy bass than the original Pola but still overly warm and not very well defined) that is killing all the dynamics and headstage. Fairly obvious spikes in the high-mids range, but fairly subdued beyond those spikes and in the high frequencies. Regardless of price or other factors I won’t consider the Pola39 to be in the same league as the Elysium.

      Listened to both on balance with my WM1Z and ZX507, low gain.

      • Winchester Hammer

        Sorry. Keep trying to convince myself that the Elysium is worthy of the hype. But nope. Afraid not. Interestingly, since posting this, I have heard about other enthusiasts complaining of a similar problem with the Elysium, who have moved to other options. I appreciate this is a subjective issue, but it’s good to know I’m not alone in my views, or that lockdown has somehow messed with my hearing or worse, my brain. The Pola39 unquestionably has the Elysium beaten for me.

  4. M.

    Very nice review! In the synergy section you mention a very nice DAP pairing for the Elysiums (with a forthcoming review) and I was wondering which one it was!:)
    Thank a lot.

      • M.

        Thanks a lot for the quick reply!
        Another question about the pairing of the deathonray DTR1 and Elysiums. I read a reviewer saying to be careful when pairing them as apparently for him the sonion electrostatic drivers weren’t firing with it. Guess you didn’t encounter the same problem did you?

      • M.

        To be fair he said ‘activate’ and not ‘fire’. This is his quote:
        “Do not do the DTR1 and Elysium combo. The tweeters somehow dont activate. Sounds dark and boomy with DTR”.

  5. Feelthesound

    Is this small version of lcd 3 or lcd 4, cause what I care about is emotion with very full bass and very good vocals it’s k if the treble is laidback for me .
    I bought Maze Flagship replace my old lcd 3 cause of the weight .

    • Marcus

      It is a BA low-end so I wouldn’t say it has the same timbre and weight of the LCD-3. I think the LCD-4 bass weight is fairly neutral, to be honest. The Empyrean is a lovely headphone and I would say the Elysium is close to this.

  6. Ken

    Awesome review! I think this is the highest rated CIEM I’ve seen from you yet. Although taste dictates, can you tell me just the differences between this and the Anole VX?

    Thank you so much!

    • Marcus

      Yes, it is the highest to date :) Good spot. The VX is a little more neutral for me, and you can spot the difference in the timbre between them both for the mids, particularly on vocals which is an important part of the presentation for me personally. I think a lot will prefer the VX for its all-round performance and switching tech but sometimes you want someone to do something different and stand out from the crowd. The mids on the Elysium is pure quality for my tastes.

  7. Julio

    excellent review dear unfortunate friend that prices are too high; Could you tell me which one is better only in sq (more impressive in details and musicality) between the elisiun and wraith? thanks for your answer

    • Marcus

      It is much too early to say since we only had the Wraith a few days and have not yet had time to compare these two specifically. However, the aural memory says the Elysium mids are richer and thicker and the Wraith is cleaner and more forward sounding.


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