Kurt reviews the ZiiGaat Luna, a new 6 balanced armature driver universal IEM designed with reference tuning for pro audio studio grade accuracy. It is currently priced at $379.00.
Disclaimer: This sample was sent to me in return for my honest opinion. Headfonics is an independent website with no affiliate links or services. I thank the team at Linsoul and ZiiGaat for giving me this opportunity.
Click here to read more about the ZiiGaat products we have previously reviewed on Headfonics.
This article follows our latest scoring guidelines, which you can read in more detail here.
ZiiGaat has been building a strong lineup with releases like the Odyssey, Lush, and Arcanis, each carrying its own strengths and proving to be solid choices in their price ranges.
Their approach has been consistent, delivering IEMs that balance design quality with competitive technical performance.
The $379 ZiiGaat Luna continues this trend but differently, relying entirely on six Knowles balanced armatures instead of a hybrid setup with a dynamic driver.
Designed to be an IEM for professionals, can it truly bring the reference-level precision that studio engineers and stage performers expect?
Features
The ZiiGaat Luna is their first attempt at an all-balanced armature design, moving away from the hybrids used in the Odyssey, Lush, and Arcanis. Each side holds six drivers, split between Sonion and Knowles units that have become staples in higher-end setups.
For the lows, ZiiGaat used a pair of Sonion 39AY008 woofers. These are full-sized sub-bass drivers that carry a stronger physical output compared to compact armatures.
The midrange is handled by two Knowles 32873 units, a smaller driver with a reputation for stability and accuracy across the core frequencies. They’re set here to keep the midrange coverage consistent without any gaps.
Finally, two Knowles 33518 tweeters are used for the highs. ZiiGaat did not disclose the crossover system, but the arrangement strongly suggests a three-way split between lows, mids, and highs.
Design
The faceplate of the ZiiGaat Luna takes on a hand-poured finish that resembles a field of flowers under shifting light. Each swirl and fleck is unique, giving it one of the most striking appearances among ZiiGaat’s releases.
The shell is a fully opaque black, made from imported medical-grade resin and 3D-printed for durability. Its glossy surface highlights the smooth contours and provides a seamless contrast against the colorful faceplate.
On the back of the shell, the model’s name and serial number are printed in gold text. The left and right markings are integrated into the serial, with an L or R printed at the start to identify each channel.
Pressure relief comes from a vent covered in mesh, positioned at the lower portion of the shell. It follows the same style seen in other ZiiGaat designs, offering proper airflow without disrupting the aesthetics.
The connectors are recessed 0.78mm two-pin sockets, fitted neatly into the shell for stability. At the front, a short stainless-steel nozzle extends outward, capped with a fine mesh filter and a raised lip to secure ear tips in place.
Comfort & Isolation
The ZiiGaat Luna sits securely in the ear, giving a snug, hug-like fit without any discomfort. It does protrude slightly, but never in a way that feels awkward or tiring over time.
The included stock tips enhance the experience by improving grip and stability. Once fitted, they prevent any sense of slipping or falling out, even during longer sessions.
Isolation is excellent thanks to the deep seal. Passive noise blocking is strong, easily cutting out background noise during daily use.
The shell fully covers the ear without pressing into sensitive areas or creating pressure points. It feels well-contoured, avoiding any bumps or sharp edges that could break the comfort.
Ear Tips
The ZiiGaat Luna includes three types of tips: foam, translucent black silicone, and transparent white silicone. Each brings a slightly different approach to comfort and seal.
The foam tips are the least effective, muting bass impact and limiting the Luna’s potential. With no dynamic driver in play, they strip the bass away rather than supporting it.
Both the black and white silicone tips deliver excellent sealing and grip. They lock the Luna securely in the ear, maximizing isolation while keeping the treble presentation intact.
Their bore size resembles balanced tips rather than wide bore designs, giving a controlled seal without dulling detail. This makes them a proper fit for Luna’s sound.
The black tips use a longer flange that digs deeper into the canal, offering the strongest seal but at the cost of minor itchiness when removed. The white tips are more forgiving, sealing slightly less but avoiding discomfort during extended sessions.
Stock Cable
A modular stock cable comes with the ZiiGaat Luna, offering both 3.5mm and 4.4mm terminations. This gives it flexibility across portable and desktop sources without needing third-party cables.
The wire itself is made from ultra-pure, silver-plated oxygen-free copper, designed for clean and stable transmission. In practice, the build feels lightweight and lacks the premium presence suggested by its specification.
Its plain black finish contrasts heavily with the striking faceplate of the Luna. The design is functional but visually unremarkable, looking more like a budget inclusion than a flagship accessory.
Despite this, the modular system is reliable and easy to use. It covers the essentials well, though the overall cable design leaves room for a lot of improvement.
Packaging & Accessories
The ZiiGaat Luna comes in a dark sleeve finished with a wave-line pattern across the surface. The front carries a large image of the IEM, while the back lists specifications and distributor details in a clean layout.
Removing the sleeve reveals a matte black box with the ZiiGaat logo in silver at the center. The design keeps a restrained presentation that contrasts with the colorful faceplate of the IEM inside.
The box flips open like a book, with the left side lined in foam and the right side holding the Luna shells. Below them sits a black compartment for the included accessories.
Inside that compartment rests a leather-style carrying case, finished in brown with the ZiiGaat logo embossed on the front. The case is the main storage hub, containing the rest of the bundled accessories.
Opening the case reveals a plush grey interior with separate sections for the earpieces and cable. A mesh pocket under the lid holds the ear tips and modular connectors, keeping everything neatly arranged.
The contents include the modular cable, interchangeable 3.5mm and 4.4mm plugs, and three sets of ear tips. With everything stored in the case, the layout stays compact and organized for transport.
Sound Impressions
The following sound impressions of the ZiiGaat Luna were completed using a mix of the Colorfly CDA-M2 and Heartfield R1 dongle DACs.
Bass
The bass on the ZiiGaat Luna is executed with surprising but excellent precision. It doesn’t carry much weight or power, but it stays clean and firmly controlled.
Subbass presence is convincing, with rumbles appearing when the track calls for them. It avoids an overwhelming low-end swell, instead giving a restrained but accurate sense of depth.
The midbass feels lighter and lacks the strong physical thump that a dynamic driver usually provides. It delivers enough punch to outline rhythm and texture, but it doesn’t have a lasting or lingering experience after.
What stands out most is the speed of the bass response. Notes are tight and snappy, with drums and percussive hits landing quickly before fading out just as fast.
Details in the bass are still notable, giving instruments a proper tone and texture. It doesn’t dominate the presentation, but it keeps the low-end convincing and well-structured.
Mids
The midrange comes through with great clarity and balance, giving the ZiiGaat Luna a clean and natural foundation. Vocals are placed with confidence, sounding clear without being pushed too far forward.
Male vocals carry proper steadiness, staying articulate and convincing in tone. They never feel recessed, maintaining a stable presence in the mix.
Female vocals are smooth and controlled, rising with ease on higher passages. Even on brighter tracks, they avoid harshness and stay consistently pleasant.
Vocal timbre is great, sounding lifelike and free of artificial tones. Both male and female voices have a natural tonality that gives them a musical feel and sound throughout any track.
Instruments such as guitars and strings share this convincing timbre, coming across as grounded and realistic. They keep their texture intact, matching the clarity and realism of the vocal presentation.
Treble
The treble is easily the best trait of the ZiiGaat Luna, offering resolution that stands out immediately. Every note comes through with precision, making it a praiseworthy aspect of its tuning.
Openness and air flow naturally across the upper range, giving the sound a spacious quality. It manages to avoid extremes, striking a balance that is neither bright nor dark.
Energy is carried well by its extension, keeping the presentation lively without strain. Small nuances and fine details are revealed clearly, ensuring nothing is lost in the mix.
Sibilance is never an issue, replaced instead with a natural sparkle that elevates the sound. Micro details emerge smoothly, giving clarity without any forced sharpness.
Clarity is what defines Luna’s treble, with instruments like cymbals and hi-hats, cutting through with accuracy. It brings refinement and smoothness at the same time, avoiding harshness while remaining fully revealing.
Staging & Dynamics
The staging on the ZiiGaat Luna benefits from the airiness of its treble, creating an immersive sense of space. It is not the widest stage, but there is convincing depth and even a degree of vertical layering.
Imaging is precise, with instruments placed naturally across the soundstage. Sounds are never cramped, allowing separation that works especially well in live and studio recordings.
Positioning feels realistic, letting elements sit forward or behind when called for. Even slight vertical movement can be noticed, giving instruments a defined spot within the mix.
Dynamics are above average, driven by the speed of balanced armature drivers. Peaks and drops hit instantly, which can sound highly engaging but occasionally a little aggressive.
Macro dynamics have strength and impact without distortion, even at high volumes. Micro dynamics are especially impressive, exposing subtle textures like low breaths or whispers with ease.
Click on page 2 below for my recommended pairings and selected comparisons.
