I remember reading a few times the concept of the Westone Audio product numbers being akin to the Star Trek movie franchise with the odd numbered ones never being as good as the even numbers.

Certainly, I was not a fan of the W50 nor even the UM10 but I absolutely adored the W4 and used it as a mid-fi reference point for many years so there may be some truth in that analogy. Sadly, I never got to hear the W60, but by all accounts, it was well received.

Well, by way of a small referral Westone sent us the W80 recently. This is their all new, and not insubstantially priced, flagship IEM retailing for $1499. It is a big of a jump up from the W60 price wise but it is an even number and I am a betting man.

What Is The Pitch?


The flagship W80 is an 8-BA universal IEM with a passive 3-way crossover touted by Westone as their most reference sound to date. It packs 2 full-size BA bass drivers, two BA for the mids and a total of 4 for the highs.

That is pretty much the same spread of drivers in flagship customs such as the Vision Ears VE8 which retails almost $1000 higher. Eight seems to be a magic number for a few IEM companies this year and truth be told Westone were in a bit of a catch-up mode with the W80.

ALO Audio Collaboration

The second stand out pitch for me is the collaboration with ALO Audio with the inclusion of their $300 Reference 8 MMCX terminated cable. This cable has been getting some pretty good reports and you can see where some of that pricing has gone into as this is by no means a cheap cable. I have quite a few ALO Audio cables and they generally stand out as a solid upgrade from feeble Plastics One creations so I have a feeling this is a welcome addition for serious buyers.

True-Fit Technology

The final pitch is the ever welcome True-Fit technology that Westone pioneered and many have tried to copy. They fit so good and they are tiny, the W80 is no different in that regard which is astounding considering how many drivers are in there.


Form Factor

The W80 is really small for an 8-driver BA design, even by today’s minuscule standards Westone do it smaller and lighter than anyone else in the market today.

You can argue that at the price point a hard plastic resin should not be the primary molding material for a flagship headphone but then I will give you that 12.7g strap-line and you may think twice. Given the old Westone W4 only weighed in about 1g lighter with a quad driver design that is remarkable.

W80 close up


The True-fit design is very streamlined, possibly more so than the old W4 I had. It has a small but slightly bulbous chassis though the main depth of the housing is pushing out and away so the inside is relatively flat and unobtrusive.


The arch of the chassis curves seamlessly into the MMCX termination at the top so you really can’t wear the W80 any other way but over the ear. The nozzle is really thin, maybe a T-100 at best. It is fairly long compared to the body but in real terms, it is a mid-length nozzle and the final aspect of the comfort and seal will rest with the tip choice.

Face Plates

The W80, much like the W50 I reviewed in 2014, has changeable faceplates. I liked the face plates on the W50 when they first came out. Whilst purely an aesthetic thing it was a nod in the direction of a lifestyle choice or user customization. It is a positive distraction but nothing more. You can be ‘ultra creative’ and stick a red on the right and a blue on the left for a nice visually easy IEM to use but that is about it.

W80 Face plates

Much like the W50, you get a total of 4 choices but this time the colors differ slightly. Out of the box, you get a blue colored plate which is a new one to me and comes with the previously available gold, gunmetal, and metallic red plates. The plates are held in place with a small screw at the rear of the housing and you also receive a small screwdriver in the box for taking them on and off.


The Westone W80 comes with two cables. Gone is the old EPIC braided cable of yesteryear and in comes a new stock rubbery OFC Epic G2 cable measuring 1.2m in length with low microphonics and memory retention.

It is fairly lightweight in construction and most likely a copper-based cable and whilst I prefer the pliability of the older EPIC braided cable this one seems reasonably robust. Is it flagship level? Probably not hence the inclusion of the additional Reference 8 alternative.

Westone Epic G2 Cable

The stock cable also sports a large inline remote playback/mic for iOS and Android DAP control (optional cable choice) and is terminated with a right angled 4-pole 3.5mm gold plated jack at the bottom and MMCX connectors at the top. The Y-split is a rubbery type finish which feels pretty solid but there is no adjustable chin strap.

Strain relief I would rate as a bit average on the stock with nothing that substantial on either the jack or MMCX terminations though there is a degree of flex in the MMCX strain reliefs. Left and right are denoted with a dot system with 2 dots for left and 1 dot for the right.

ALO Audio Reference 8

The W80 comes also with ALO Audio’s new reference 8 cable which retails at $300 and launched at the end of 2016. This is a four high purity silver-plated copper (SXC) conductor cable combined with four OCC copper conductors in FEP jackets.

It is built on a similar premise to their Litz series they use with their own Campfire Audio range and is relatively light and easy to work with. Certainly, it is a much higher grade of cable than the stock Epic G2 cable. Microphonics though are a little higher on this cable than the Litz variant though and even more so than the stock cable.

ALO Audio Reference 8 cable

The Reference 8 is terminated with a durable right angle 3.5mm gold plated stereo jack, is 1.2m in length and finished at the top with a custom-hardened beryllium/copper alloy that is more durable than standard gold plated or brass connectors so there should last a bit longer. The stems are also a bit longer and less slippery than the Epic G2 MMCX connectors so they are much easier to snap on and off with the W80.

MMCX Issue

The MMCX connectors, particularly with the stock cable, are tricky to work with for two reasons. The first is the angle, it makes getting a decent grip on them hard and you tend to slide down as you apply a bit of pressure on the stock cable with the housing also getting in the way. They are much easier to work with using the ALO Audio Reference 8 though which has a longer stem.

The second is the pressure to apply is hard to gauge and you could end up doing damage if you get it wrong. The manual simply states pull in a straight line but they are a complete bugger to disengage and nothing like the quick snap of most MMCX I have used before.

Comfort & Seal

True-fit technology is best in class for a universal and weighing in at 12.7g, even with 8 drivers, makes the W80 one of the comfiest fits I have ever had. Once in the ear, you get a tiny bit of pressure but mostly from the tips themselves sealing rather than the W80 body touching anything.

With the right tip, you get a very high level of isolation, a good seal whether in relaxed or open jaw position and a fit that is almost negligible in terms of pressure and weight awareness. The W80 has a very small form factor for a very flush fit.


The thin nozzle does make the tip choice more critical to get the best seal with the W80 but to that end, Westone has supplied their usual very generous array of tips. This includes their branded Star tips (silicone) as well as the True Fit (foam) tips. There are no less than 5 sizes of each in the bag from the truly enormous to the regular small size.

One thing they all have in common is their length. Westone tips are much longer than most regular tips so the depth of insertion on the W80 is really good. Foams will dampen the top end a little but thicken the sound and create the best seal. Silicone will bring in a bit of an airier sound but isolate a little less.

W80 and Large case

Accessories & Packaging

The W80 has probably the largest and most useful carry case I have ever seen for an IEM. It is bigger than some headphone cases and it is packing a lot inside. Clearly, a lot of thought has been put into the W80 accessory packaging with little compartments and netted restraints for everything as well as a little flap divider to reduce knocks as well as hold the user guide. The dividers are actually customization also on the left side so you can keep the compartment system or ditch them and stick in whatever you like.

Despite the size, you do get a much smaller semi-stiffened zip case that is pretty pocketable because the standard case for everything is strictly something that goes in a large bag. Inside you get the following:

  • STAR silicone tips (x 5)
  • TrueFit foam tips (x5)
  • 3-button Westone cable
  • ALO Audio Reference 8 cable
  • Switchable color faceplates
  • Soft carrying case
  • Hard carrying case
  • Small travel case
  • Wax removal tool
  • Cleaning cloth

W80 and small case

The Reference 8 cable also comes in its own little ALO Audio netted carry pouch which is consistent with their own line of cables packaging. You also get a small screwdriver for changing the faceplates as well as quick user manual guide which found useful for confirmation on how to remove the stock cable safely.

Page 2: Sound Impressions & Comparisons

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13 Responses

  1. Chris

    Hi. Have you hear the empire ears anthena viii by chance? And how would it compare to the w80? I’m curious with both having 8 drivers. Thanks!

  2. Neil Delaney Jr.

    I’m not really an audiophile and certainly not a headphone specialist, but that noted I had a question. Could the sound of the W80s through the AOL cable possibly be described as “thin”, or would that suggest a misunderstanding of reference IEMs or even just an improper seal? I tried the W80s for a few days and thought the music (Dire Straits, Fleetwood Mac) didn’t have much depth. I actually prefer the sound of the Shure 545s but what I really liked the best is the sound from the same Onkyo DP-X1A paired with over-ear B&O H9s. Maybe it’s just common knowledge that good over-ears through good cables will deliver a fuller sound than any IEMs. But even if that’s right I’d value your opinion on my experiences with the Westone versus the much more reasonably priced Shures or the Klipsch X20is.

    • headfonics

      I would not describe it as thin, certainly warm and rich sounding with an easy flow. You are right though, for 8 drivers it sounds good, competitive maybe but outstanding possibly not and you identified the key area of depth as the weakness. This is a traditional BA tuning done very well, and a few years back I would be extolling its virtues.

      However, new players on the scene are really pushing hard on what 5, 6, 8 and 9 drivers can technically do regardless of personal preference. Objectively I just wanted something a bit more from a flagship.

    • headfonics

      The SE846 is the only Shure I would put money down on but even now I find its sound a little incoherent for me and not as well balanced as I would like. If you are shopping around and want something with depth, proper staging and precise imaging I would like more to an IE800 and dynamic drivers. However there is a little mid-range gem., the earsonics ES3 for around $500 or less I highly recommend also.

  3. Hua Zhu

    I literally can not believe the score mechanism. I own both earsonics es3 which you guys have a higher score than w80. But the w80 just kills es3 in every every aspects by miles. I mean, by miles. They are not even in the same league. I guess you prefer a little more harsh high frequency but that is your personal taste. Does the real world sound sound that harsh? No, the real sound is not harsh at all. W80 makes the instruments, voice sound real. The cold sound won’t. You feel that it may have some more details but they just don’t sound real.

    • headfonics

      Lets tackle your numerous points here.

      First of all no one is suggesting the W80 is not superior to the ES3, I think you are being overly simplistic and not seeing the bigger picture.

      The W80 is $1499, for that kind of money people expect a fantastic sound. The ES3 is less than 500 euros and punches above its weight and price point for many. The W80 has 8 drivers, smooth as it sounds, Westone could have done more with the technical ability of 8 drivers as other companies have shown with 5 driver, 6, 8 and 9 at this price point. Here we feel it falls short and that is why we score lower.

      I do not prefer ‘harsh’ and I do not review with “personal preference in mind”. The real world has many different sounds and I suggest you try a wider range of sounds to understand that.

      Again, just a super simplistic understanding because even if I enjoy something I have to contextualize it in terms of what the market is doing right now at that price point. Not everyone has the same opinion on sound as you or me so no I wont review saying “best ever, end game” – that language belong in the forums.

      Scoring is not linear, just because something cheaper gets a higher score doesn’t mean its technically better, it just means its does what it says it does very well plus its much better than the direct competition.

      • Hua Zhu

        1. In terms of tonality, w80 is 8.5 while earsonics es3 is 8.8. Since you separate out the “value for money”, the tonality point should be a objective one that not involving price. If earsonics es3 is 8.8, w80 can not be lower than 9.5. (At least in the same arena of Andromeda)
        2. According to your reviews, it is easy to tell that the sound preference. For example, the Andromeda, also you judge es3 > es2, which clearly indicates you personally dont like the mid bass and natural to a little bit warm tonality. For example, I can definitely tell you will like the sound of IE800, but does the high frequency of that natural and smooth? I doubt it. The 10k spike is real and there are a lot of other so called “detailed sounding” iems do the same in order to get the detail and clarity.
        3. There maybe culture difference here. In asian audiophile community, W80 has way higher reputation than Andromeda, which most people dont like the high frequency of the Andromeda while in western audiophile community, Andromeda type of sounding iem seem to be dominating. I think Westone has done a comprise here already that includes a $300 ALO ref cable which makes the sound more aggressive to meet the taste of western market but in all asian forums, users use the epic cable, mic-cable or other copper-based upgrade cable to pair with W80.
        4. Aggressive sound != good sound

      • headfonics

        I live in Asia buddy so the culture thing is hogwash, plenty of our guys love different earphones for different reasons.

        Price has an influence on tonality, its not about value for money its about performance at a price point.

        Value for money has its own criteria and includes more than just sound. The ES3 punched way above the competition at THAT price point hence its scoring reflects that. The W80 did not.

        Also on the IE800 – I am not sure where you are reading your stuff from but I have always stated the treble is brittle.

        As for mid-bass etc – if its overly cooked it clouds instrumental clarity, thats a technical point not a preference point.

      • Hua Zhu

        You prefer Andromeda over W80. However, from my point of view, I like W80 better than Andromeda. This is all about personal preference.

      • headfonics

        I didn’t say I ‘prefer’ the Andromeda, I said its technically on point for its price. The W80 is an 8 driver IEM, it should be capable of more. I like the W80, thats my personal opinion, but my objective opinion is that at its price point it could do more with 8 drivers than what people are doing with 5 drivers, 8 or 9 . There is subtle difference.

      • Jbanu5

        What a fantastic argument i’m reading years later.

        Hua Zhu makes a great point on the inconsistent scoring within subcategories like tonality, as it does not relate to ‘value for money’. So he’s correct, your scoring was inconsistent in this instance. This would also effect the overall score, so Hua has a great point. If Hua didn’t “overreach” with the “culture difference” garbage then he had you hogtied.

        I’m in San Francisco. I love tubes, smooth, and organic. I absolutely hate over technical, metalic sounding gear. Chord is a very overrated audio company. I can’t stand their DAC’s. I don’t know why many Asians love to try and differentiate themselves from the “west”. Which is funny because there’s pretty much no difference (except large swathes of Asia has better food and and prettier, more feminine girls).

        I would even go further and say most Asian nations have blantently copied the styles, behaviors, habits, and intellectual property to bring them to where they are now culturally (examples: music, dance, shopping, software and computing, work culture, dating, social media use, e-commerce, economic policy). It goes on and on. Maybe this obsession with trying to make a point that they’re different is to overcompensate for this lack of originality.

        Anyway, it has to be tough to score zillions of audio products and keep every duck in its row, so who really cares…

      • Marcus

        Hey buddy, glad you found us and yeah this was a few years ago and now we only retain scores for 12 months. In fact, we are actually doing away with them end of the year. It is hard to keep track after 100’s and nearly 1000 product reviews.

        Oh and the W80? If this came to me in 2019 I would score it even lower lol. The ES80, which is the exact same driver pick and count and almost same price from Westone scored over 9. They did more with it for virtually the same price.

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