A new player called the Heron 5 has entered the battlefield and I’ve almost no information to share about Airist Audio apart from the fact they are a small team of smart people from the likes of MIT, Harvard to name but a few colleges and who have a passion for audio.
What I can say is that these newbies to the audio game have put together a very good amplifier. Really, that’s all that matters these days. Amplifiers have come a long way in the past few years and it seems like more delicious Summit level products are available than ever…these guys and gals are extremely bold with their pricing for their very first foray into Audiophile land.
The Heron 5
At $1999, I can safely say the exterior build quality of the amplifier radiates quality in abundance. She is hefty at almost 15lbs, utilizing a fully aluminum chassis from start to finish. The power button feels buttery smooth and when active, the Heron 5’s volume knob lights up with a beautiful contrast in color to the surrounding black finish of the center of the dial.
While on the subject of the dial, it feels very heavy and of high quality with a satisfying clink that can be felt for each volume position as you toggle it. I am a fan of this type of tactility and dislike the slick and effortless volume knobs that are found in most other amplifiers.
That weighted appeal when I turn the volume up and down, maybe I am in the minority on that? I don’t really know if that matters or not, but I like little oddities like that. They also include what looks like a medical-grade power cable that is super dense and bulky.
I have a gripe…and it’s a serious gripe that comes in the form of the type of outputs and inputs some amplifiers are using in their designs: the Heron 5 has Balanced XLR and RCA inputs, but only ¼ outputs. This upsets me to no end and I am a firm believer that this type of design needs to end…forever.
The unit has dual left and right balanced 3 pin XLR inputs as well as RCA, but the conversion from balanced to unbalanced is designed into the circuitry.
I want to rip what little hair I’ve left right out of my head when I see designs that tell you “Nope, you can’t have balanced. We are just going to allow you to be teased with Balanced XLR’s, but will just remove the potential for a balanced output for no real justified reason.”
This is such a pet peeve of mine. Why allow for XLR 3 pin input but then convert to ¼ for the output? This makes no sense. Just drop the high ¼ output and swap it for a single 4pin XLR! Seriously, this makes me want to cry like a toddler and stomp and pout up and down the hallways of my condo.
The Heron 5 has a unique feature that I’ve not seen in an amplifier in a long time: dual ¼ outputs that are intended for different output impedance headphones. High and low, I suppose? I’ve no real details on it, as the website doesn’t offer any useful information on well…anything about the amplifier or the company that I can relay to readers here.
What I can say is that headphones like my Enigma Dharma D1000 ($1299 hybrid dynamic and electrostatic headphone) sound much better through the low ¼ output on the right side. I feel like everything on the left-high output sound overdriven and if High Gain is always active. I wasn’t able to find a single headphone, even demanding ones that sound better when using the left side output, as the left side is more prone to static and hum from a noisy source.
I have a 3.5mm male to dual XLR cable that bridges my sources, this cable works with my Mjolnir’s XLR input just fine, but does not function at all with the Heron 5 XLR input. In fact, this 3.5mm to XLR cable works on every other amplifier I’ve ever had in the house with an XLR input.
When I pair the balanced XLR’s of the Mjolnir used as a preamp to the XLR’s on the rear of the Heron 5, I get a loud hum that makes listening impractical.
The RCA inputs on the Heron 5 I have seem to function perfectly, so things sound wonderful through that. Mind you, I am using Audioquest $250 Mackenzie and $150 Red River’s that they’ve so graciously gifted to me to help out in this review. These cables work normally with every other balanced product I had.
Of course, I had other brands’ XLRs from odd companies and even Monoprice, but all of them failed to work with the Heron 5’s XLR input. I guess I am just unlucky…or wasn’t I? Turns out the Heron 5’s designers specifically designed the amplifier to only work with certain cable types and certain wiring configurations with regard to only 3.5mm to XLR cables. When I inquired about it, William at Airist Audio responded with this:
“We wanted to avoid using a summing op amp on the balanced inputs to produce the single ended signal for the amplification circuit as this would be an additional component in the signal path and inevitably affect the sound.”
Basically, the amplifier does not work with a direct connection from a 3.5mm source output, to the Heron 5’s XLR inputs. My USB DAC of choice is the iBasso DX90, which only has a 3.5mm output. So, I normally run a simple 3.5mm male to XLR cable to use with amplifiers that have XLR inputs. This cable setup results in no sound with the Heron 5 due to the configured wiring inside.
How It Works
However, it does work with certain other adapters and products like my ground loop isolator from Pyle: which is a thing that eliminates electrical noise and ground loops in various audio equipment. The device has ¼ and XLR inputs and outputs, so when I connect my DX90 Dac to this Pyle box via XLR, then out that also with XLR to the Heron 5, I am met with perfect, beautiful sound.
So, if you want to use unbalanced to balanced connectors, you’ll have serious problems with the Heron 5’s XLR inputs. 3.5mm to RCA on the Heron 5 works perfectly. 3.5mm to XLR does not and you’ll need a device that grounds or splits the signal into separate channels. A lot of amplifiers actually don’t do that.
For example, my Schiit Mjolnir cannot be used as a Preamp for the Heron 5. You are met with a load of static and hum in certain configurations.
- DX90 3.5mm Dac > Schiit Mjolnir XLR input > Mjolnir XLR output > Heron 5 = severe hum and static due to wiring differences between the amplifiers.
- DX90/any 3.5mm music source > Heron 5 XLR = no sound
- DX90 > Mjolnir > Heron 5 = bad sound, but still sound coming through
- Schiit Gungnir XLR out > Heron 5 XLR in = perfect sound
- Schiit Gungnir > Mjolnir > Heron 5 = perfect sound due to a fully balanced cable setup.
Summed up, be careful what your rig is composed of, you might not get normalized sound. I bring that up because I can use a 3.5mm source to the Mjolnir’s XLR input and still get the perfect sound. I am not at all cool with how Airist applied this design, it limits me with what I can use and what I cannot use in a nearly $2000USD amplifier.
Click on Page 2 below for Sound Impressions & Verdict