This article on DSD vs PCM was reproduced from the educational archives of Yuri’s Sample Rate Converter website with his kind permission. All copyright belongs to said website and any reproduction of this information below can only be done with the express permission of Yuri Korzunov.

DSD and PCM are considered to be different audio file formats, as a general rule. However, I think, that PCM and DSD are really two sides of a single phenomenon.


DSD (sigma-delta modulation) is a 1-bit audio format that uses noise-shaping to increasing of dynamic range.

PCM (pulse code modulation) is multibit music format that uses the number of bits to expand the dynamic range.

Dynamic range is the difference between maximal and minimal allowable level of the transmitted signal.

The maximal signal level causes overload.

The minimal signal level is less than or equal to the quantization noise level (a.k.a. noise floor). Signal “under” high levels of noise will lead to the listener having a poor perception of the quality of the audio particularly in terms of clarity.

Simplified dynamic range

The simplified dynamic range is the difference between the maximal level and the minimum level of the noise floor.

Warning: It is not technically the correct definition. However, in the context of this article, we will use it for easier understanding.

We can discuss dynamic range as a common base for both PCM and DSD. Dynamic range is a single matter for different bit depth.

The maximum level in digital audio is accepted as 0 dB. It does not depend on bit depth. However, the noise floor or the minimum level does depend on the bit resolution.

From PCM to DSD

As an example, we have a certain noise level for some PCM bit depths. After the bit resolution is reduced the noise level gets higher and the dynamic range is thus reduced.

Bit depth truncating (from PCM to DSD)

However, the noise level may be kept in a limited useful frequency band. Noise energy, that grows due bit depth truncating, may be pushed out of the band via noise shaping.

Noise shaping, PCM to DSD transformation

Thus it becomes very similar to DSD. And, yes! It is real multibit DSD!

From DSD to PCM

Now let me try to come from DSD to PCM. Here we also have given noise level. Noise shaping may be characterized by the steepness. Both total and useful audio signal bands define the steepness.

Noise shaping steepness

Steeper noise shaping may be used to expand the useful band. Steepness can cause instability in sigma-delta modulators (noise shapers). So less steepness may be a good thing.

Adding bit to sample will decrease the noise level. So noise shaper’s steepness may be decreased too. The lower the steepness the less noise energy creeps into the useful bandwidth.

Adding bit – lesser the steepness, DSD to PCM transform

At last the noise floor become flat. So the DSD signal is thus transformed into PCM.

Sample Rate Issue

DSD has a significantly higher sample rate than PCM. This is because a band reserve is required to push excess noise energy out of the useful frequency band.

However, even simple band expanding causes lesser noise levels because quantization noise energy is constant and distributed in full band. Graphically, noise energy is the square of the noise spectrum. Consider it in the same way you consider a rectangle. If its width is expanded, height (noise level) will diminish in ratio.

Sample rate and quantization noise level

Two times band expanding decrease noise level at a rate of 6 dB.

So we can say, that DSD decreases noise level twice:

  • by sample rate and
  • by noise shaping.


  1. DSD and PCM are two side of the same thing – transmitting a digital signal with a given dynamic range.
  2. To transform DSD to PCM we need to increase the number of bits and remove noise shaping.
  3. To transform PCM to DSD we need to diminish the number bits with noise shaping and sample rate extension.
  4. In my opinion, the most obvious DSD sign is a partial usage of total signal band (reserve) to transmit the signal and push the noise energy out of the useful frequency band.


About The Author

Guest Contributor

Yuri is an automation engineer with a specialism in telemechanics and communications. He has also worked his way up from engineer rank to a team lead in a radio communication branch over the course of the last 17 years. In 2007 he founded the Audiophile Inventory project which is an audio conversion software since 2009 which you can try for free online at

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